Yannick Dauby: Tsi̍t Lâu Tsuí: Experimental Sound Studio, Vol. 1Yannick Dauby: Tsi̍t Lâu Tsuí: Experimental Sound Studio, Vol. 1
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Yannick Dauby: Tsi̍t Lâu Tsuí: Experimental Sound Studio, Vol. 1

Collage of subtly treated field recordings



'Dauby stayed in Peng-Hu, an archipelago located in the Taiwan Strait during several months in the first half of 2013. His daily activities included beachcombing, study and documentation of the reef animals, field recording, some teaching and also composing musique concrète in a temporary and probably the first experimental music studio, settled in Shili, a narrow village just between the inner and outer seas. From this old building he hear the seashores and announcements of the itinerant sellers as well as the rituals from a temple nearby. Immersed in this natural and cultural environment, Yannick composed the two sides on this record, using the sounds of the underwater fauna, the omnipresent waves, soundscapes of harbours, music played during funerals, shortwave radio broadcasts , in-site or indoor improvisations using old artefacts collected on the beaches and various sessions using analog electronic instruments. This LP becomes kind of a aural sketchbook of his stay and wandering in these islands on the invitation of the Penghu Citizens Foundation (海洋公民基金會籌備處).'

Yannick Dauby: Tsi̍t Lâu Tsuí: Experimental Sound Studio, Vol. 1

Yannick Dauby: Tsi̍t lâu tsuí: Experimental Sound Studio, Vol. 1

Collage of subtly treated field recordings

Side A18:57AIFF € 2.50MP3 € 1.75
Side B17:58AIFF € 2.50MP3 € 1.75



'Dauby stayed in Peng-Hu, an archipelago located in the Taiwan Strait during several months in the first half of 2013. His daily activities included beachcombing, study and documentation of the reef animals, field recording, some teaching and also composing musique concrète in a temporary and probably the first experimental music studio, settled in Shili, a narrow village just between the inner and outer seas. From this old building he hear the seashores and announcements of the itinerant sellers as well as the rituals from a temple nearby. Immersed in this natural and cultural environment, Yannick composed the two sides on this record, using the sounds of the underwater fauna, the omnipresent waves, soundscapes of harbours, music played during funerals, shortwave radio broadcasts , in-site or indoor improvisations using old artefacts collected on the beaches and various sessions using analog electronic instruments. This LP becomes kind of a aural sketchbook of his stay and wandering in these islands on the invitation of the Penghu Citizens Foundation (海洋公民基金會籌備處).'