"“No style is higher or lower, hermetic or impermeable”
David Toop/The Wire

Before Disco, and before the transcendent echoes, Arthur Russell wanted to be a composer. His journey began in 1972, leaving Iowa to study Indian classical composition with Ali Akbar Khan in Northern California and ending two years later in New York at the Manhattan School of Music. In that brief period Arthur met and worked with several musicians and poets that would guide his work throughout the remainder of the decade: Allen Ginsburg, Christian Wolff, Jackson MacLow, Rhys Chatham, Philip Glass, Elodie Lauten, Ernie Brooks, Peter Gordon, and Peter Zummo.

FIRST THOUGHT BEST THOUGHT collects Arthur Russell’s out of print instrumental and orchestral compositions along with over 45 minutes of previously unreleased material (...).

Initially intended to be performed in one 48-hour cycle, “Instrumentals” was in fact only performed briefly in excerpts as a work in progress. The legendary performances captured live in New York at The Kitchen and Franklin St. Arts Center include the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Dave Van Tiegham, and Peter Zummo. Included here is the previously unreleased “Instrumentals” Vol. 1 along with “Instrumentals” Vol. 2 that has been out of print for over twenty years. Originally released in 1984, sections of “Instrumentals” Vol. 2 (conduced by Julius Eastman) were incorrectly mastered at half speed, and have been corrected for this compilation.

Reach One is one of Arthur’s earliest compositions dating back to 1973. The hypnotic soundscape was written and performed for two Fender Rhodes pianos.

One of the holy grails in Arthur’s discography, Tower Of Meaning is a beautiful and stunningly moving orchestral work. Conducted by the late Julius Eastman, Tower Of Meaning was originally released in a limited private edition of only 320 copies.

Inspired by his work with friend and composer Arnold Dreyblatt, Sketch For The Face Of Helen was recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River."