Various Artists: London Is The Place For Me 7: Calypso, Mento, Joropo, Steel & String Band
Stunning compilation documenting West Indian & West African music (life) in post war London - highly recommended
- A1 Lord Beginner: Sons And Daughters Of Africa
- A2 The Lion: Royal Wedding
- A3 The Mighty Terror: The Hydrogen Bomb
- A4 Dai Dai Simba: Modern Telephone
- A5 Willie Payne & The Starlite Tempos: Wa Sise
- B1 The Mighty Terror: The Emperor Of Africa
- B2 Louise Bennett: Bongo Man
- B3 Marie Bryant: My Handy Man
- B4 Nigerian Union Rhythm Group: Tortoise Mambo
- B5 Calypso Rhythm Kings: Boul Ve Se
- C1 The Mighty Terror: Life Is Like A Puzzle
- C2 The Mighty Terror: Chinese Children
- C3 Bill Rogers: Hungry Man From Clapham
- C4 Lili Verona: Underground Train
- C5 The Lion: Highway Code
- D1 Billy Sholanke: Kana Kana
- D2 Calypso Rhythm Kings: L'Année Passée
- D3 Lord & Lady Beginner: One Morning
- D4 West African Rhythm Brothers: Ema Foju Ana Woku
- D5 Trinidad Steel Band: Caroline
Still deeper forays into the musical landscape of the Windrush generation.
A dazzling range of calypso, mento, joropo, steelband, palm-wine and r’n'b. Expert revivals of stringband music, from way back, alongside proto-Afro-funk.
An uproarious selection of songs about the H-Bomb and modern phones, prostitution and Haile Selassie, mid-life crisis and the London Underground, racism and solidarity, the Highway Code and a 100% West Indian Royal Wedding.
For example some frantic British-Guianan joropo music-hall about Eatwell Brown from Clapham, who starts out biting off a piece of his mother-in-law’s face at a party, then devours everything in his path… a chunk of Brixton Prison, a Union Jack, a policeman’s uniform. Or Marie Bryant — collaborator of Lester Young and Duke Ellington — taking time off from skewering the South African PM Daniel Malan at her West End revue, to contribute some arch, swinging filth about uber-genitalia.
Superior sound, courtesy of Abbey Road, D&M and Pallas; lovely gatefold sleeve; full-size booklet, with full notes, and fabulous previously-unseen photographs, including a set from the family archive of Russ Henderson (who led the first, impromptu Notting Hill Carnival march, in 1966).
Superior sound, courtesy of Abbey Road, D&M and Pallas; lovely gatefold sleeve; full-size booklet, with full notes, and fabulous previously-unseen photographs, including a set from the family archive of Russ Henderson (who led the first, impromptu Notting Hill Carnival march, in 1966).
Various Artists: London Is The Place For Me 7 (Calypso, Palm-Wine, Mento, Joropo, Steel & String Band)
Stunning compilation documenting West Indian & West African music (life) in post war London - highly recommended
Still deeper forays into the musical landscape of the Windrush generation.
A dazzling range of calypso, mento, joropo, steelband, palm-wine and r’n'b. Expert revivals of stringband music, from way back, alongside proto-Afro-funk.
An uproarious selection of songs about the H-Bomb and modern phones, prostitution and Haile Selassie, mid-life crisis and the London Underground, racism and solidarity, the Highway Code and a 100% West Indian Royal Wedding.
For example some frantic British-Guianan joropo music-hall about Eatwell Brown from Clapham, who starts out biting off a piece of his mother-in-law’s face at a party, then devours everything in his path… a chunk of Brixton Prison, a Union Jack, a policeman’s uniform. Or Marie Bryant — collaborator of Lester Young and Duke Ellington — taking time off from skewering the South African PM Daniel Malan at her West End revue, to contribute some arch, swinging filth about uber-genitalia.
Superior sound, courtesy of Abbey Road, D&M and Pallas; lovely gatefold sleeve; full-size booklet, with full notes, and fabulous previously-unseen photographs, including a set from the family archive of Russ Henderson (who led the first, impromptu Notting Hill Carnival march, in 1966).
Superior sound, courtesy of Abbey Road, D&M and Pallas; lovely gatefold sleeve; full-size booklet, with full notes, and fabulous previously-unseen photographs, including a set from the family archive of Russ Henderson (who led the first, impromptu Notting Hill Carnival march, in 1966).