Various Artists: The Paths of PainVarious Artists: The Paths of PainVarious Artists: The Paths of PainVarious Artists: The Paths of Pain

Various Artists: The Paths of Pain

Exceptional "survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national"

"A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.
Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.
Exhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.
Utterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.
Fabulous music, like nothing else, exquisitely suffused with sadness and soul. Hotly recommended.

Sumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas."

Various Artists: The Paths of Pain

Various Artists: The Paths of Pain

Exceptional "survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national"

Biluka y Los Canibales: Cotopaxi3:01AIFF € 1.75MP3 € 1.25
Duo Mendoza-Ortiz: Cansados Pies Corazon Mio2:31AIFF € 1.25MP3 € 1.00
Mendoza Suasti: Ingratitud2:45AIFF € 1.25MP3 € 1.00
Olga Gutiérrez: Dulce Mirada2:40AIFF € 1.25MP3 € 1.00
Los Inaquingas: Ensonacion2:47AIFF € 1.25MP3 € 1.00
Hermanos Castro: Taita Salasaca2:28AIFF € 1.25MP3 € 1.00
Benitez y Valencia: Desesperacion3:35AIFF € 1.75MP3 € 1.25
Los Tres Ases: Lejos de Ti2:39AIFF € 1.25MP3 € 1.00
Conjunto CAIFE: Vaca Lechera2:29AIFF € 1.25MP3 € 1.00
Benitez y Valencia: Amor de Mi Linda Guambra2:41AIFF € 1.25MP3 € 1.00
Biluka y Los Canibales: El Anacu de Mi Guambra2:19AIFF € 1.25MP3 € 1.00
Lucho Muñoz: Pasional2:52AIFF € 1.25MP3 € 1.00
Benitez y Valencia: Carnaval de Guaranda2:41AIFF € 1.25MP3 € 1.00
Los Tres Ases: La Naranja2:28AIFF € 1.25MP3 € 1.00
Duo Aguayo Huayamabe: Mi Dulce Amor2:28AIFF € 1.25MP3 € 1.00
Hermanas Mendoza Suasti: Sangrante Corazon2:52AIFF € 1.25MP3 € 1.00
Benitez y Valencia: Plegaria2:36AIFF € 1.25MP3 € 1.00
Hermanos Castro: Los Huachis2:36AIFF € 1.25MP3 € 1.00
Raul Emiliani & Hector Bonilla: Chola Cuencana2:28AIFF € 1.25MP3 € 1.00
Biluka y Los Canibales: Cashari Shungiuto2:29AIFF € 1.25MP3 € 1.00
Hermanas Mendoza Suasti: Longuito Enamorado2:42AIFF € 1.25MP3 € 1.00
Duo Aguayo Huayamabe: Desde Que Tu Te Fuiste2:45AIFF € 1.25MP3 € 1.00
Segundo Bautista: Sendero del Dolor2:41AIFF € 1.25MP3 € 1.00
Benitez y Valencia: Corazon Que No Olvida2:27AIFF € 1.25MP3 € 1.00

"A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.
Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.
Exhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.
Utterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.
Fabulous music, like nothing else, exquisitely suffused with sadness and soul. Hotly recommended.

Sumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas."